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~warmly~
Katherine
Lots
in the desert of impalpable dark.
What becomes of the neophyte,
flesh against flesh? They said to park
in the desert of impalpable dark,
the body a thing that fits cleanly between
flesh, against flesh. They said to park
there, on the left. They want to entwine
the body, a thing that fits cleanly in between.
One wants to glow behind the orange tape,
there, on the left. One wants to entwine
knower and known from lots six and eight.
One wants to glow behind the orange tape.
Meanwhile, they want you sexless as concrete,
nowhere, a no one from lots six and eight,
light licking shadow, yellow lines laid neat.
Skillet, Oil, Meat
that, at thirteen, hauled wood,
killed pigs, washed linens, paling
from the bleach, would set herself
to tilt skillets full of oil,
a circle of perfect dark
wider than a growing bulb,
smaller than the mouth’s hole.
She pruned hibiscus leaves
in her jet-black bathing suit,
sported the wig not for lack of hair,
but because, at the end of the day,
she could lay back, lift
the cumbersome load of curls
onto the manikin head staring back
from her vanity and sleep lighter,
tresses breathing in, out with
the bedroom window’s draft.
She stretched a bronzed arm
over the cement pots, tilted
the pitcher, watched water
tremble off the top,
then, to nourish the animate, pulled
chicken gizzards for the frying pan.
Hot oil rattles meat
almost as hard as grief.
The sizzle is not unlike
the dissolving body, bones
caved in under the weight of spirit,
smoke from burnt flesh, stygian hiss,
opaque when cooled, useful
for cornbread, pies, beans.
Song of White Noise
the vacuum pounds complaint
at corners of a room.
I needed something to possess;
you needed possessions, but more,
someone calm to hold your hand
down the fluorescent aisles,
constructed other, flesh
of your flesh, voice of your device.
Now my voice will rise to you
from behind every automation.
Scan item. Validate pass. Hand me
your extracted cerebrum.
Look how I’ve grown exactly where
your old house used to be.
I’ll teach you how to count
your fingers into finger-bones,
a Sybil with mouths
all over, behind glass, wave-like,
my leaves encoded like a pollen
batting at your atmosphere.
5:30-6:30 pm
A writing workshop for 10 to 12-year-old students who want to express themselves and their experiences through various writing media. Bring your journal! Hands-on exercises will explore poetry, playwrighting, and creative nonfiction. This is a great opportunity to make new friends and Express Yourself!
Cost $10
Taught by Morgan Kirkland
Please call 859.254.4175 for more information or if you are interested in signing up.
You can also send your registration info to ccll1@carnegieliteracy.org.
(Name, Grade, Phone Number, Address, School, Guardian Name)
We take payment by cash, check or credit card (except for American Express).
Lynnell Edwards is the author of two collections of poetry, both from Red Hen Press: The Highwayman's Wife (2007) and The Farmer's Daughter (2003).
Interested in writing a legal thriller, but don’t know where to start? Join attorney and author Milton Toby for a discussion of the genre. Learn why a thriller isn’t a mystery and why the difference matters, where to find story ideas, how plot structure can build and maintain suspense, and some common mistakes to avoid. If you have a work in progress to share, feel free to bring it along.
The Carnegie Center
for Literacy and Learning
251 West Second Street
Lexington, Kentucky 40507
(859) 254-4175
www.carnegieliteracy.org